This is the story of a young man in his thirties who reflects on what he has become, whereas in his memories he was a nice kid. Is he a good person or not, in the end? Do his actions, sometimes glorious, sometimes much less so, or even not at all, make him a nice guy or a scumbag? Unless one can be both.

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Kyan Khojandi and Bruno Muschio (Navo) host different guests each week to spend A Good Time.

影片只有一个场景，设置在一家客栈的客房，一个疲倦的旅客在那里留宿。月光透过窗户照到他的床上。突然，他被床上的虫子惊醒，他跳起来消灭了他们。刚刚上床，又看到墙上爬着三只，他那着蜡烛用烟熏掉那些虫，然后继续睡觉。

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In his show La formidable ascension sociale temporaire de G. Verstraeten (The Temporary Social Rise of G. Verstraeten), Guillermo Guiz, whose real name is Guy Verstraeten, reflects on his own journey and on what he sees as problematic in today's society. The main theme of his one-man show is gentrification and how to deal with it in relation to one's desire for social justice.

Structured as a cinematic essay, "Un pays sans bon sens!" explores the emotional and political foundations of belonging to a nation. Moving between Quebec, France, and Western Canada, Pierre Perrault interrogates questions of cultural maturity, autonomy, and territory at a moment when French Canadians were reexamining their collective identity.

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